Klemens Wenzel Nepomuk Lothar Fürst von Metternich-Winneburg zu Beilstein - Thomas Lawrence
Portrait of Prince Metternich (c. 1825) by Sir Thomas Lawrence.
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Klemens Wenzel Nepomuk Lothar Fürst von Metternich-Winneburg zu Beilstein - Thomas Lawrence
Portrait of Prince Metternich (c. 1825) by Sir Thomas Lawrence.
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Elisabeth, Empress of Austria.
Painted in 1864 by Franz X. Winterhalter
The most beautiful woman of the second half of the 19th century according to her contemporaries.
Agree? Disagree?
I think she is among the loveliest creatures I have EVER seen.
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Engagement Portrait of Empress Elisabeths parents Princess Ludovika of Bavaria ( 30 August 1808 – 25 January 1892) and Duke Maximilian Joseph in Bavaria (4 December 1808 – 15 November 1888), by Joseph Stieler
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My Favourite 18th - 19th Century women:
• Alexandra of Denmark
• Queen Victoria
• Maria Alexandrovna (Marie of Hesse and by Rhine)
• Marie Antoinette
• Elisabeth of Austria
• Maria Feodorovna (Sophie Dorothea of Wuttenberg)
• Princess Alice of United Kingdom
• Georgiana Cavendish, Duchess of Devonshire
• Victoria, Princess Royal and German Empress
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This picture shows the Duke of Wellington offering a gift to Queen Victoria, Prince Albert and Prince Arthur, in a scene resembling the Adoration of the Magi. The painting was commissioned by Queen Victoria to commemorate the 1st of May 1851, which held a threefold significance: it was the first birthday of Prince Arthur, the eighty-second birthday of prince’s godfather the Duke of Wellington, and the opening day of the Great Exhibition. Prince Arthur holds Lily-of-the-valley, a traditional 1st of May gift said to bring good luck. The Crystal Palace can be seen in the background.
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May 10, 1774: The reign of Louis XVI begins.
Louis XVI succeeded his grandfather Louis XV as King of France and of Navarre at age nineteen. By this time he had already been married to the Austrian Archduchess Maria Antonia, or Marie Antoinette, for four years; their marriage had, so far, been unfruitful — the couple had failed to produce any children and would not until 1778; in addition to his and his wife’s progenitive problems, the new King was faced with numerous issues which required the immediate attention of a tenacious and resourceful head of state (he was not one), including France’s financial problems (later including the enormous debt accumulated after the American War of Independence), and various social, economic, political problems that the King was in the end unable to fully address, though not due to a severe disinterest or lack of intelligence but rather the feebleness of his character (he was often described, as both a child and adult, as shy and indecisive). Some of his actions were popular with the people, such as his approval of the Edict of Versailles in 1787, which granted certain non-Catholic religious groups the right to openly practice in France; he also reinstated the regional parlements, which decentralized power from the crown but also enabled nobles to block the attempted radical reforms of Terray and Maupeou, who were both dismissed only months after Louis XVI’s ascension to the throne. Tensions between the privileged First and Second Estates and the Third Estate (whose members made up 98% of the country’s population), widespread food shortages, and general unrest and malaise, persisted throughout his reign.
In 1789, the King was forced in his desperation to summon the Estates-General, the first time this assembly had been called in 175 years; this summons, the declaration of the National Assembly, the Tennis Court Oath, and the Storming of the Bastille marked the beginning of the French Revolution, which ended - at least for Louis - in his deposition and execution.
Maria Carolina Louise Josepha Johanna Antonia
Anton Raphael Mengs
Oil on canvas
c. 1768
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